South of France – everyone’s “happy place”



Irish author James Joyce loved the French seaside. What better seaside is there than near Marseille in the south of France? It was his “happy place.” Fresh air, coastal spray, great wine, and cats. 

In Conversations with James Joyce, published in 1974, Irish painter, author, art critic for The Irish Times, and friend of James Joyce, Arthur Power (1891-1984) wrote: 

“After returning to his flat in the Square Robiac (in Paris), Joyce would settle down in a sympathetic and social mood. Here in the evening, with his favourite bottle of white wine, ‘St Patrice’, at his elbow, a wine discovered while in the south of France, we used to discuss many things, but the main subject of our conversation was naturally our common interest in literature.”

Joyce even brought a “biscuit-coloured cat” from Marseille back to Paris as a companion. 

James Joyce was not the only one, of course, to frequent this “happy place” in the south of France. For German-born English author Sybille Bedford (1911-2006) south of France was her home for a time. 

Photo from https://www.solasnua.org/events/100-years-ulysses-ciffhome-rewatch

Sybille Bedford’s Quicksands – A Memoir (2005) was written at 92 years of age and published a year before her death at the age of 94. It is the account of the author’s fascinating life from her birthplace in Germany to post-war Italy, France, Portugal, and the United Kingdom from the 1950s.

Born Sybille Aleid Elsa von Schoenebeck (1911-2006), she married British army officer Walter Bedford in 1935 to avoid deportation to Germany, and to obtain a British passport, when the Nazis found out about her Jewish ancestry. The marriage was short-lived and she left France during the invasion and headed to America with British writer Aldous Huxley and his wife Maria. From the 1940s, Sybille lived in Europe, settling in London with American novelist Eda Lord (1907-1976). This memoir recounts those years from her starting point – 1953 – or as she says: “I shall begin as I hope to continue: from the middle.”

Her memoir is in three sections: Part One – Segments of a Circle; Part Two – Junctions: and Part Three – Fast Loose Ends. 

Sybille Bedford describes the south of France as the “actual beginning” of her “true compass point” – her happiest years. Those years were spent at Sanary, a seaside village 50 kilometres (30 miles) southeast of Marseille. 

“The happiness in the south of France was one of place, not achievement, nor events… What I lived then, day by day, were the sea, the light, the sun, cicada sounds at night, first amorous pursuits, some exhilarating, some hopeless or mistakes, some attachments outlasting change – all punctuated by evasions of authority, evasion of evolving tragedy at home.” 

There in the south of France was the only loved and permanent home she ever had: “a conversioned annex built on Allanah Harper’s property: a rural patch … with a pergola, a terrace, jasmine and honey-suckle, night-flowering climbers, tree frogs, set in an olive grove.”


Sanary accommodated a great number of German, American, British, and French creatives, from Bertolt Brecht to Jean Cocteau, Aldous Huxley, and D.H. Lawrence. Sybille Bedford wrote of Aldous Huxley, author of Brave New World (1932) and Point Counter Point (1928): 

“An open door, behind it, Aldous sitting on a red-tiled floor, grass-hopper legs neatly disposed, amidst piles of books he was trying to cram into a rotating cage.” It was his first day in his new home and not a pleasant experience for him, as he told Sybille: “There is no horror greater than the First Day in a New Home.” 

This memoir is more about others than of herself; though nonetheless an interesting and beautifully written expression of tragedy and circumstance in historical times. So, her account of the “happy place” south of France was a brief moment of happiness for me too as I lived through her words and feelings.  


NEW PARIS BOOK IN PROGRESS IN 2024: HEAD AND HEART – Blog # 11        



NEW PARIS BOOK IN PROGRESS IN 2024: HEAD AND HEART – Blog # 11.

As I write my new fictional Paris book, I wonder what the balance of head and heart should be. It is Paris, after all, the City of Love! But true love does not always run smooth and hence the head must do some thinking about choices, or not, in love. Preferably not over-thinking though!

‘Head’ is, of course, the logical expressions in the novel, whereas ‘heart’ is, of course, the emotional expressions in the novel. Let’s have a look at some questions to consider.


Head:

Is love imagined or are there mixed messages? Is the pain of potential love in the mind or in reality? 

Is love and caring better kept at a distance to avoid all pain? Is there too much over-thinking or too much over-caring and sharing? 

Why do people ‘lose their head’ and all sense of reason when love comes in and when love goes out? 

Does logic interfere with the heart when love is unconventional, unacceptable, and inappropriate? Who are the judges anyway and how much influence do they have on the characters’ decisions? Is there a moral dilemma here?

 


Heart:

Who cares about the main character and who doesn’t? Who does the main character care about? Is there a match, an overlap, or a complete gap between the two individuals or groups, and what difference does that make in the novel? 

Who can be trusted in love and who can’t? 

Is love dangerous? Who is afraid of it and who is bold? Does getting too close to the flame lead to an explosion of fire, a lot of steam, or a painful burn? 

Who or what is the competition in love – another person, work, or commitments? What does shared history have to do with love?

What are the messages of love, joy, pleasure, passion, compassion, or recklessness that need to be told?



There are many more head and heart decisions and factors and dilemmas in any story, and particularly one set in Paris. I’m sure there’ll be further blogs about that as I proceed with my novel.



Photographs: Rodin Museum, Paris

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Photographer: Martina Nicolls

Language translation devices will guide visitors on the Paris metro



Language translation devices will guide visitors on the Paris metro during the Paris 2024 Olympics and Paralympics, announced the Paris Public Transport System staff on France 24 on 31 January 2024.

The Paris 2024 Olympic Games and Paralympics Games will occur this summer from 26 July to 11 August for the Olympics and August and from 28 August to 8 September for the Paralympics. 

During this period, the city of Paris will be moving locals and visitors around the city to get to Olympic events. There were 6.6 million tourists in 2019 during the cumulative months of July and August and 6.4 million in 2022. In 2023, the Office of Tourism in Paris estimated the number of visitors to Greater Paris at between 6.2 to 6.4 million for the same period. Paris is expected to receive about 3 million additional visitors during the Games in 2024, to reach an estimated total of over 9 million people. 

To assist foreign visitors, the Paris Public Transport System (RATP) has developed a handheld, artificial intelligence (AI) powered device called Tradivia. It can translate from French into 16 different languages including Mandarin, Arabic, and Korean. The device will show the translated text and it will read the text aloud.


More than 3,000 RATP staff have been provided the device to assist transport passengers. 




NEW PARIS BOOK IN PROGRESS IN 2024: STORIES THAT SELL – Blog # 10        



NEW PARIS BOOK IN PROGRESS IN 2024: STORIES THAT SELL – Blog # 10.

Every writer wants to be able to sell their book. As I plan and write my new Paris book, at the back of my mind I think about book sales. Sales depend on many factors, but let’s make a start in categorizing some memorable types of stories.  So, what type of fiction books sell?

Rags to riches: Readers like battlers rising to fulfill their dreams by hard work or unexpectedly. Highs and lows, turns in the road, wins and losses, woman in a hole, are all variations of rags to riches stories. 

Drive stories: Stories of travel, movement, migration, and on-the-road stories take people to places and situations familiar, different, interesting, or motivating. 


Universal stories: Readers like relatable, common ground tales with shared experiences.

Love conquers all stories: Readers like characters that fall in love, then some obstacle (person, job, thing, belief, catastrophe etc.) comes between then, and, somehow, they have their happy ending. Or some version and variation of a happy union tale. 

 


Circle of life: Coming-of-age, progressing through life’s challenges, and circle of life stories are journeys readers recognise. With a twist, the stories can become page-turners. 

Good and evil: Good and evil stories and their variations bring out the dark side of people’s character. What does ‘good’ look like – and is ‘evil’ the opposite? In the story being created, are there good and evil characters or does a good character turn evil, or the reverse? Does scary horror movies fit in this category?

Laughter and tears: Comedies and tragedies, tragi-comedies, and laugh-a-minute tales keep readers engaged in ‘what’s next?’ moments.

This is all the more grist for my writing mill.



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Photographer: Martina Nicolls

NEW PARIS BOOK IN PROGRESS IN 2024: LUXURY WITH ATTENTION TO DETAIL – Blog # 9        



NEW PARIS BOOK IN PROGRESS IN 2024: LUXURY WITH ATTENTION TO DETAIL – Blog # 9.

Luxury brands offer people timeless classics, exceptional quality, personalized experiences, and exclusivity. They also offer simplicity with laser-like attention to detail. 

Troy Allen, the Chief Executive Officer of Rise Brands and an expert in branding, wrote in Forbes magazine in April 2023 on luxury brands’ attention to detail and why it is important. His advice can also be applied to writing a book:


 

Details keep people focused: It’s easy for readers to become distracted, so the point is for the author to keep focused on the plot, the characters, the means, and the message. 

Details enhance the experience: The aim is not about achieving perfection in writing – it’s about building memorable moments in the book. 

Details keep you ahead of the competition: It’s the details that make people notice the product. More than anything, Troy Allen says that a keen attention to detail shows people that you really care. 

 


There are lessons here for writers, including me as I conceptualize my new book, still tentatively called the New Paris book. For me, what is one single detail that tells the readers everything they need to know about the main character(s) and the story? That’s a big question.



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Photographer: Martina Nicolls

Verniquet Grand Amphithéâtre of the Natural History Museum



In the Botanical Garden in Paris – Jardin des Plantes – is the Verniquet Grand Amphithéâtre of the Natural History Museum. 

The famed French architect Edmé Verniquet (1727-1804) from Burgundy was the son of a surveyor to the King. Edme’s father Germain Verniquet and his mother Marie Béguin had 16 children. When his father died in 1751 at the age of 57, Edmé took over the business at the age of 24, married Marie Lambert in 1763 at the age of 36, and had three children.

They moved to Dijon where Edmé met French naturalist and botanist Georges-Louis Leclerc, the Count of Buffon (1707-1788). Count Buffon asked Edmé to help him develop the King’s Royal Garden of Medicinal Plants, which is now the Jardin des Plantes (named during the French Revolution of 1789-1799). So, Edmé moved to Paris in 1772 at the age of 45. 

At the Royal Garden of Medicinal Plants, which Count Buffon had been managing since 1739, Edmé enlarged the King’s cabinet building in 1780 and began construction of the botany amphitheatre in 1787.

He built a neoclassical building with a portico and a triangular pediment. Architect Jacques Molinos enlarged it in 1794 to house laboratories. On the frontispiece is a relief symbolizing science and a clock with two dials, made by Paute de Bellefontaine in 1790 and restored in 2000.

The 18th century building is now a conference hall accommodating up to 600 people. In its time, it was the amphithéâtre for teaching botany. Professors of botany over the years included Antoine de Jussieu, Etienne Geoffroy Saint-Hilaire, Georges Cuvier, Louis Joseph Gay-Lussac, Claude Bernard, Henri Becquerel, and Henri Bernardin de Saint-Pierre. 

The building is now called the Verniquet Grand Amphithéâtre of the Natural History Museum.


Pineapple and rum jam, French style



I was gifted a jar of home-made French pineapple and rum jam. Most home-made jam makers in France are inspired by Christine Ferber and her business, La Maison Ferber, in the village of Niedermorschwihr in Alsace. Christine Ferber is an artisan pastry chef, baker, confectioner, chocolatier, ice cream maker, and jam maker. Born in Alsace, she is recognized as the best jam maker in the world. 

Her ingredients for Confiture d’Ananas – Pineapple Rum Jam – are pineapple, vanilla, rum, sugar, apple pectin, and lemon juice.  

The recipe below, from Cathy Barrow, is inspired by Christine Ferber: 

Pineapple Rum Preserve (makes about three half pints)

1 large, very ripe pineapple
3 cups sugar (white, or half brown sugar)
1/4 cup dark rum
1 vanilla bean or 1 teaspoon vanilla bean paste

1/4 teaspoon of butter
Juice of one lemon

Hack off the top leaves of the pineapple and cut the bottom to make a flat surface. Using a large, sharp knife, slice away the outer roughness. Cut in half lengthwise, then in half, the long way, again. Dice it.

Stir the pineapple, rum, vanilla, and lemon juice together and allow this mixture to macerate overnight. Mme. Ferber suggests ceramic, but glass bowls are perfect. Cover with parchment, then plastic wrap, and refrigerate 8 to 24 hours.

Strain the pineapple and bring the syrup to a boil in a large, heavy bottomed pot. Raise the temperature slowly so the syrup doesn’t burn – this process will take about an hour. When the syrup is at 218°F, add the pineapple, stir well, and continue to stir as the mixture comes back to a boil. You may need to tilt the pot so the syrup is deep enough to measure with a candy thermometer. (These are very small batches!)

It will take about ten minutes until the pineapple and syrup combine. Stir stir stir. The bubbles will change, and the mixture will change from very foamy to bubbles that burst slowly to reveal clear preserves below. When the jam is ready, remove from the heat and stir in 1/4 teaspoon of butter, to remove the remaining bubbles. Ladle into sterilized jars, leaving ¼ inch headspace.

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NEW PARIS BOOK IN PROGRESS IN 2024: THE NUMBER 3 – Blog # 8        



NEW PARIS BOOK IN PROGRESS IN 2024: THE NUMBER 3 – Blog # 8.

Many stories are based around the number three: three kings, three pigs, three wishes, three wise men, three step-sisters, and so on. Three events, three elements, three acts, three phases, and three dots to signify more to come.

There are also three ways of looking at threes that may help me look at the way I start writing my new Paris book. 



 

Goldilocks and the Three Bears (the middle ground): In this 1837 fairy tale by British author Robert Southey, a young girl called Goldilocks enters the home of three bears and eats their porridge when they are away. The first bowl of porridge is too hot, the second bowl of porridge is too cold, and the third is just right. She also tries the bears’ three seats and three beds. So, in a story there could be three options that the hero faces: two extremes and the middle ground.

Three Little Pigs (the contrasting three): This is another British children’s story of about 1886-1890 in which a big bad wolf tries to huff and puff and blow down the houses of three pigs. The first pig’s house is made of straw which collapses. The second pig’s house is made of sticks which also collapses. The third pig’s house is made of bricks which cannot be destroyed. There are three houses – two are weak and one is strong. Two options give the same result, while one option is contrasting, giving a different result. The result is that the pig in the strong house defends himself from the wolf – the threatening situation – and wins. 

 


The Three Musketeers (holism vs isolation): The French adventure novel The Three Musketeers, written in 1844 by Alexandre Dumas, has three swashbuckling heroes – Athos, Porthos, and Aramis – who defend the honour of their queen. Athos has a mysterious past; Porthos is extrovert and honest; and Aramis is ambitious and unsatisfied. Their motto is “All for one and one for all.” The basis of their tales and adventures is that the whole (team) is greater than the sum of their parts (individuals) – i.e., together forever we can beat the odds. 


Here are three more threes:-

Plato said that human behaviour flows from three main sources – desire, emotion, and knowledge. 

Nadia Boulanger said that the essential conditions of everything you do are choice, love, and passion.

George Gurdjieff said that every phenomenon in all worlds, without exception, is the result of three simultaneous forces – positive, negative, and neutral. 

More grist for my writing mill.



PIP DECKS, the fun and engaging how-to guides for business.

Photographer: Martina Nicolls

Edgar Allan Poe and Paris and love


Photograph of Edgar Allan Poe in the public domain by Mathew Benjamin Brady, United States National Archives and Records Administration


American author Edgar Allan Poe (1809-1849) is best known for his macabre tales of horror, madness, superstition, and the dark forces. He was also recognized as a leader in the detective genre and the introduction of shorts – the short story genre. Although he never visited Paris, he was familiar with French authors, the language, and the culture.  

I was reading a collection of 19 short stories by Edgar Allan Poe in the 2012 edition of The Murders in the Rue Morgue and Other Tales – stories written in the 1840s. Many of the stories are headed by quotes from French authors (there are English and Latin quotes too). 

For example, the first story in the collection, Manuscript Found in a Bottle, begins with a quote from the French dramatist and librettist Philippe Quinault (1635-1688). It’s from his text in the 1676 opera Atys:

Qui n’a plus qu’un moment à vivre

N’a plus rien à dissimuler.

He who has but a moment to live

No longer has anything to hide.

The story The Man that was Used Up includes a quote by tragedian Pierre Corneille (1606-1684):

Pleurez, pleurez, mes yeux, et fondez vous en eau!

La moitié de ma vie a mis l’autre au tombeau.

Weep, weep, my eyes, and dissolve in water!

The better half of my life has put the other in the tomb. 

The Fall of the House of Usher includes a quote from poet and songwriter Pierre-Jean De Béranger (1780-1857):

Son Coeur est un luth suspendu;

Sitôt qu’un le touche il résonne.

His heart is a suspended lute;

Whenever one touches it, it resonates.

The Man of the Crowd begins with words from Parisian philosopher and moralist Jean de La Bruyère (1645-1696): Ce grand malheur, de ne pouvoir être seul – This great misfortune, not being able to be alone. 

The title of this collection comes from one of his most well-known stories – the longest of his short stories – The Murders in the Rue Morgue – about the ‘brutal, bloody, and baffling’ murder of Madame L’Espanaye and her daughter Camille in their home in the Montmartre district of Paris. Monsieur C. Auguste Dupin and the Parisian police set about to solve this mysterious crime. It is said that Poe was inspired to create Dupin from a real Frenchman who established the first detective agency in the world – Eugène-François Vidocq (1775-1857). Vidocq was an interesting man – a criminal that became a criminalist. 

Concluding this edition of Poe’s short stories is an article by British author D.H. Lawrence (1885-1930) on why Poe’s morbid tales continue to be popular. He writes of the story The Murders in the Rue Morgue that ‘murder is a lust to get at the very quick of life itself and kill it.’ 

He writes that La Bruyère’s quote at the beginning of The Man of the Crowd – This great misfortune, not being able to be alone – refers to La Bruyère’s philosophy that unhappiness comes from the yearning for love so that we are not alone in life and that, ‘if we do not live to eat, we do not live to love either.’

Lawrence boldly states that Poe’s short stories are not merely about the macabre, but ‘really about love.’ Love, yes! Love pushed to the verge; love pushed to the extreme; and sometimes a battle of wills. Love of drugs, people, food, self-destruction, and love of love itself.

D.H. Lawrence says Edgar Allan Poe ‘was an adventurer into vaults and cellars and horrible underground passages of the human soul.’ Lawrence ends with:

‘Poe knew only love, love, love, intense vibrations and heightened consciousness.’ 


NEW PARIS BOOK IN PROGRESS IN 2024: REMEMBERING THE 5 Ts – Blog # 7        



NEW PARIS BOOK IN PROGRESS IN 2024: REMEMBERING THE 5 Ts – Blog # 7.

As I plan for the writing of my next book – my New Paris Book – I am reminded of the 5 Ts – the five tips to help the story flow: timeline, turning point, tension, temptation, and teachable. 

Timeline: A timeline has a beginning, middle, and end. Or more simply; a timeline has a before and an after – the status quo and then the new order – or chaos before order. A timeline also has a problem, an action, and a result. 



 

Turning point: A turning point is the point of realization, decision, and change. A turning point is the key moment in the timeline. 

Tension: Tension is created in a story with the use of anxious moments and conflict – external and internal. Tension begins with the moment of maximum anxiety or conflict and continues with activities towards its solution or resolution. 

Temptation: Temptation is the action on the verge of taking the easy way out or doing the right thing; being influenced by others or remaining with integrity; turning towards the immoral, unethical, criminal, or unacceptable or not. 


Teachable: The story should be thought-provoking, or provocative, or provide a teachable moment or two. Did the hero learn anything while resolving the situation and is this thought-provoking for readers? Would the reader do the same thing or something completely different?

Again, more to think about as I plot my course of action. 


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Photographer: Martina Nicolls